When It All Gets To Be Too Much, by Cory Kilduff

When It All Gets To Be Too Much

by Cory Kilduff

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sandubogi I came for the maple syrup Molly Ringwald tear, but I stay for the 80's synthwave styles Favorite track: Hayden Sphere.

Mr.WhiteNoise This release above all is my favourite of BurningWitches... Favorite track: 16 Seconds.

palehorse666 straight out of the 80's, this beautiful sadsynth record is already one of my big favorites of the year. sounds like something you'd hear in classics like The Breakfast Club, Sixteen Candles, or Twin Peaks. Favorite track: Not Like The Others.

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When It All Gets To Be Too Much - Limited Edition Vinyl
Record/Vinyl + Digital Album
Clear vinyl with white splatter. Limited to 500 worldwide. Includes insert print and download card.

Includes unlimited streaming of When It All Gets To Be Too Much via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Jericho's Opening 04:04	buy track
2.	Not Like The Others 03:05	buy track
3.	False Alarm 04:53	buy track
4.	Vacancy 03:58	buy track
5.	Chestnut Hills 03:52	buy track
6.	Patterns 02:58	buy track
7.	Portacarrero 04:00	buy track
8.	Higher Education 03:33	buy track
9.	Hayden Sphere 03:54	buy track
10.	16 Seconds 04:37	buy track

about

Growing up in the 1980s Dallas suburbs, Cory Kilduff was all about pushing the boundaries. Specifically, the boundaries of which videos his parents would let him rent each weekend. Escaping into equal parts sci-fi (Tron, Alien), outcast teen classics (Gleaming the Cube, The Breakfast Club), and cult classics (Beat Street, Rad), his range was eclectic and loaded with soundtracks that transitioned him easily into an interest in music.

Now signed to Burning Witches Records, Cory has been creatively supported in composing and completing a new passion project paying homage to John Hughes’ flame-haired muse, Molly Ringwald. When It All Gets To Be Too Much is inspired by Ringwald’s roles in Hughes’ movies, specifically the moments when she can’t hold back the tears. With a few other references blended in for depth and breadth, the tears of Sam, Claire and Andie remain at the forefront for perfectly synthesized nostalgia, anchored in 1980s drama—think the train scene in Risky Business or the death in Less Than Zero—and tempered by the pure and true teen angst of Ringwald’s iconic characters.

When It All Gets To Be Too Much is available on vinyl from Burning Witches Records on limited edition colour vinyl, with insert print and download card. Only 500 worldwide.

credits

released February 8, 2019

Written and recorded by Cory Kilduff
Mastering by BurningTapes

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Burning Witches Records England, UK

UK-based independent record label specialising in sound to picture

burningwitchesrecords.com

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